Controlled Renaissance: The Bolshevik Regime’s Takeover of the Ukrainian Literary and Artistic Milieu in the 1920s
DOI:
https://doi.org/10.28925/2524-0757.2025.16Keywords:
controlled renaissance, literary and artistic milieu, intellectuals, Bolshevik regime, 1920sAbstract
The paper examines the processes that took place in the literary and artistic milieu in Soviet Ukraine. The primary approach employed in this study is an assessment of this period considering the socio-political events of the 1920s. The definition of this literary and artistic generation as the «Executed Renaissance» is based on the tragic events of the later 1930s when the totalitarian regime intensified Bolshevik modernization according to the Stalinist model. The objective of this article is to highlight the main forms and methods through which the Bolshevik regime took control over the literary and artistic intellectuals in the Ukrainian Soviet Socialist Republic (USSR) during the 1920s. During the period of early totalitarianism in the 1920s, artists, under the policy of «Ukrainization,» which was officially declared as a process of developing national cultures and a period of relative creative freedom, were nonetheless required — at least nominally — to declare their loyalty to the regime and create within the framework of political, ideological, and cultural compromise. The article identifies the key mechanisms used by the Bolshevik regime to establish control over the literary and artistic milieu in the 1920s, including: gathering compromising information; recruiting artists to foster fragmentation and atomization within the artistic community; exerting organizational influence over the formation or dissolution of literary associations; providing material incentives for writers and artists loyal to the regime; ideologically instrumentalizing creative output; publicly affirming support for Bolshevik power; subordinating artistic endeavors to the ideological needs of the Communist Party; and defining politically significant themes in literature and art. Thus, the Bolshevik regime employed a wide array of methods to control the literary and artistic intelligentsia, compelling them to create under conditions of ideological unfreedom.
Downloads
References
Bon, O. (2024). Pid nahliadom DPU: Hryhorii Kosynka u 1920-kh rokakh [Under GPU Surveiliance: Hryhorii Kosynka in the 1920s]. Eminak, 3(47), 223–224 [in Ukrainian]. https://doi.org/10.33782/eminak2024.3(47).737
Bon, O. (2023). Suspilno-politychni umovy diialnosti literaturno-mystetskoi intelihentsii u 1920-kh rr. [Social and Political Conditions for Intellectual’s Literary-Art Activities in 1920s]. Kyiv Historical Studies, 1(16), 84–91 [in Ukrainian]. https://doi.org/10.28925/2524-0757.2023.19
Hundorova, T. (2000). Intelektualna dystopiia Yuriia Lutskoho. Lutskyi Yu. Literary Politics in the Soviet Ukraine. 1917–1934. (pp. 9–16). Kyiv: Helikon [in Ukrainian].
Komarenko, T. O., & Shypovych, M. A. (1999). Vlada i literaturno-mystetska intelihentsiia radianskoi Ukrainy: 20-ti roky XX st. Kyiv: Instytut istorii Ukrainy [in Ukrainian].
Koshelivets, I. (1980). Oleksandr Dovzhenko. Sproba tvorchoi biohrafii. Niu-Iork: Vydavnytstvo “Suchasnist”, Kyiv [in Ukrainian].
Lutskyi, Yu. (2000). Literaturna polityka v radianskii Ukraini 1917–1934. Kyiv: Helikon [in Ukrainian].
Melnykiv, R. (2013). Literaturni 1920-ti. Postati (Narysy, obrazky, etiudy). Kharkiv: Maidan [in Ukrainian].
Shapoval, Yu. (2017). Oleksandr Shumskyi. Zhyttia, dolia, nevidomi dokumenty: Doslidzhennia, arkhivni materialy. Kyiv-Lviv: [in Ukrainian].
Shapoval, Yu. (2008). Zhyttia ta smert Mykoly Khvylovoho u svitli rozsekrechenykh dokumentiv HPU. Z arkhiviv VUChK-HPU-NKVD-KHB, 30, 311–348 [in Ukrainian].
Sharova, T. M. (2020). Avtor i tekst u systemi sotsrealizmu: pryroda estetychnoho konformizmu ta poetyka kompromisu (na materiali tvorchosti K. Hordiienka). (Candidate’s thesis). Kyiv [in Ukrainian].
Shkandriy, M. (2015). Modernisty, marksysty i natsiia. Ukrainska literaturna dyskusiia 1920-h rokiv. Kyiv: Nika-Tsentr [in Ukrainian].
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Олександр Бонь

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors who publish in this journal retain the right of authorship of the work and give to the journal right of first publication of this work under the conditions of Creative Commons: Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0), which allows others freely distribute the work published with reference to the authors of the original work and the first publication of this magazine.